![]() ![]() It’s such a densely packed opening that I am no where near equipped enough to speak towards the specific details and features. History will remember him as the central figure in this aforementioned transformation throughout Wano Arc and beyond, however, I sense that his passive influence as a drawing superstar has extended far beyond the boundary of One Piece and even the studio in which its made. The vanguard from the drawing side is Masami Mori. Even the length of the opening, previously a limitation exclusive to One Piece, has been lifted for a standardized ninety seconds of inspiration. A change that has reached the point to where the series has paved the way for creators such as Megumi Ishitani to express themselves at a seemingly uninhibited level. We can infer from the results that One Piece became the largest priority for the studio, but also credit to the individual artists and production staff who have served as the catalyst for this change. If you showed this opening to a One Piece fan in 2002 there is a genuine risk that their brain would melt out of their nose.Įven as a non-One Piece-anime watcher, it has been fascinating to follow one of the largest prolonged transformations a series has made to its production philosophy, since maybe ever? It’s a topic that sits at a massive scope, and to truly capture every factor involved would also require an intimate understanding of closed-door business dealings at Studio Toei. ![]() This season just happened to be loaded, and thus, a tradition has been born! The nature of openings is such that there will always be something relevant to talk about. Ideally, future iterations will see increasing variety in participants, as people are matched to their specialties and interests. ![]() Welcome to a new column on this blog where we take advantage of the piecewise format to finally produce blogging that embodies the true spirit of the unknown artist. ![]()
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